Movie Projector: ‘Breaking Dawn’ to devour three new family films
This post has been corrected. See the note at the bottom for details.
Multiplexes will be stuffed with new family releases over the Thanksgiving holiday, but the latest installment in the "Twilight" franchise will likely feast on the most ticket sales yet again.
"the Twilight Saga: Breaking Dawn – part 1" opened to an impressive $138 million last weekend, and the film could rake in another $60 million from Wednesday through Sunday, according to those who have seen prerelease audience surveys.
Meanwhile, three new PG-rated films, all of which have earned exceedingly positive reviews, are hitting theaters Wednesday. "the Muppets," starring Jason Segel and Jim Henson's popular gang of puppets, is expected to collect about $45 million by Sunday. "Arthur Christmas," a 3-D computer animated holiday tale, is expected to gross $15 million to $18 million in the same time frame. and "Hugo," director Martin Scorsese's 3-D film about an orphan living in a 1930s Paris train station, will likely bring in only $10 million to $13 million for the five days.
"the Muppets" is returning to the big screen for the first time since 1999, when "Muppets from Space" debuted with a lackluster $4.8 million. Co-written by Segel, the new film is generating interest from children and adults nostalgic for the 1970s television program "the Muppets Show," which featured Kermit, miss Piggy and their pals.
The movie cost Walt Disney Studios about $45 million to produce. It will open in Mexico on Friday.
"Arthur Christmas" was made by Sony Pictures Animation and the British animation house Aardman Animations, the production company behind the popular Wallace and Gromit movies, TV show and commercials. This marks the first collaboration between the two studios.
The movie, which cost Sony about $100 million to produce, is about how Santa's son learns how to deliver presents worldwide on Christmas Eve. "Arthur Christmas" is going after a younger audience than "Hugo" or "Muppets," hoping to capitalize on the interest of kids ages 7 to 11.
Though audience polling indicates "Arthur" may have a soft opening, the studio is hopeful that it will follow in the footsteps of its recent summer release "the Smurfs." Early tracking had projected that the animated movie featuring miniature blue cartoon characters would have a weak opening, but it debuted with a surprisingly strong $35 million in July and ultimately raked in over $550 million worldwide.
Overseas, "Arthur Christmas" has already opened in five foreign markets, where it has so far collected $9 million. the film is performing especially well in the United Kingdom, where it has sold about $7.6 million in tickets. this weekend, it will play in a total of 25 countries, including Japan and Australia.
"Hugo," an adaptation of the best-selling children's book "the Invention of Hugo Cabret," is playing in 1,200 theaters — about 2,000 less than the other new movies in wide release this weekend. Rob Moore, Paramount's vice chairman, said the studio opted to open the film in fewer theaters because it is hoping strong word-of-mouth will propel it to box-office success in the coming weeks.
"instead of putting everything into this very crowded Thanksgiving, we decided to wait and use the great reviews to push and expand the movie into December," said Moore.
The film was initially set for release by Sony on Dec. 9, but financier Graham King was adamant that it bow over the long Thanksgiving weekend. Because the studio already had plans to debut "Arthur Christmas" over the holiday, King moved the film from Sony to Paramount Pictures.
Scorsese's first family picture was financed by King, who said it cost less than $150 million to produce. another person familiar with the film's budget, who asked not to be identified so as not to damage business relationships, said it cost around $170 million. Paramount is releasing the picture for a fee and paying for the film's prints and advertising.
In limited release, the Weinstein Co. is releasing two possible awards contenders. "My Week with Marilyn," starring Michelle Williams as the tragic Marilyn Monroe, will open Wednesday in 12 markets and expand to 244 theaters Friday. the film, which cost about $10 million to make, will also debut in the United Kingdom this weekend.
Meanwhile, the company's silent black-and-white silent movie "the Artist" will debut in two theaters in New York and two more in Los Angeles on Friday. Although the movie has already collected more than $16 million in France — where its lead actors hail from — it remains to be seen if the unique $14-million production will resonate with American audiences.
Twentieth Century Fox will offer sneak previews Saturday in 800 theaters of Cameron Crowe's family drama "we Bought a Zoo," opening nationwide Dec. 23.
For the record, 4:48 p.m Nov. 22.: a previous version of this post said that "My Week with Marilyn" would expand to 61 markets on Friday. in fact, the movie is playing in an additional 61 markets on Friday, for a total of 73 markets and 244 theaters.
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'Arthur' sparks hopes of a comeback for Aardman
Word of Mouth: Three films vie for family audience
Photo: Kermit the Frog, Jason Segel and miss Piggy star in "the Muppets." Credit: Walt Disney Studios
Movie Projector: ‘Breaking Dawn’ to devour three new family films
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Categories: Movie and Dining Reviews Tags: 1930s, saga, thanksgiving holiday, ticket sales, time frame
Movie projector: Small openings for ‘Season of the Witch,’ ‘Country Strong’ mean ‘Fockers’ and ‘Grit’ will battle at top
on the first three-day weekend of 2011, the top of the box office chart will look a lot like the end of last year.
Neither one of the two new movies opening Friday, the fantasy action flick "Season of the Witch" and the musical drama "Country Strong," is expected to sell as many tickets as the most popular two releases of the past two weekends, "little Fockers" and "True Grit," according to people who have seen pre-release audience polling.
"Witch," which stars Nicolas Cage, should debut to about $12 million in the U.S. and Canada, while "Country Strong" will likely open to between $5 million and $7 million.
"little Fockers" and "True Grit" will likely each take in between $12 million and $15 million on their third weekend in theaters. Foretelling a champion ahead of the weekend is difficult. The Ben Stiller-Robert de Niro comedy "little Fockers" was more popular for the last two weekends. But "True Grit" ticket sales have declined slower and the Coen brothers-directed western starring Jeff Bridges and Matt Damon pulled into the lead on Monday and has maintained its edge through Wednesday.
The predicted openings for "Witch" and "Country Strong" would be soft, though not terrible, given their costs.
Relativity Media, which has recently moved beyond co-financing films with other studios into releasing its own pictures, spent about $40 million to make "Season of the Witch," which stars Cage and Ron Perlman as warriors returning home from the Crusades in the 14th century. Pre-release polling indicates that while the movie's core audience is younger men, more women than the studio expected are interested in the picture.
As it does with most of its movies, Relativity has already covered much of the budget with pre-sales to foreign distributors.
The film was previously set to be released by Lionsgate last March under a now-defunct distribution deal the studio had with Relativity.
"Country Strong," which stars Gwyneth Paltrow as a faded Nashville star seeking a comeback and Garret Hedlund as a rising young singer, cost Sony Pictures' Screen Gems genre label $12.5 million. its core audience is expected to be adult women drawn to its romantic plot line.
The first weekend of January is typically one of the slowest of the year at movie theaters. And, with no films approaching even $20 million in ticket sales, 2011 appears poised to continue that trend.
Top photo: Nicolas Cage in "Season of the Witch." Credit: Egon Edrenyi / Lionsgate. bottom photo: Gwyneth Paltrow. Credit: Scott Garfield / Sony Screen Gems.
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DVD releases spark debate
The associated Press
Published: March 21, 2010
LAS VEGAS – Disney’s plan to quickly release the blockbuster “Alice in Wonderland” on DVD is sparking new heat in a debate between Hollywood studios and movie theaters over how quickly films move from the big screen to people’s living rooms.
Moviegoers will have the option of watching “Alice” at home in about three months, worrying some theater owners who fear that narrowing the gap between theatrical runs and DVD debuts will undermine ticket sales as some fans skip the cinema and wait for the DVD.
“A robust, exclusive theatrical window remains vital for the health of cinemas and the movie industry as a whole,” John Fithian, president of the National Association of Theatre Owners, told members in a speech Tuesday at their annual ShoWest convention.
Studios like short windows between theatrical and DVD releases because it speeds up their cash flow and allows them to pull in DVD business while films are fresh in audiences’ minds.
The issue was a key topic last week at ShoWest, where studios trot out stars, films and footage to promote upcoming releases.
The time window between theatrical and home-video releases gradually shrank as studios cashed in on booming DVD sales starting in the late 1990s. the average gap between big-screen and DVD releases has held steady at about four months in recent years.
Now, cinema operators worry other studios might follow Disney’s lead, though the head of Sony Pictures assured theater owners that Hollywood is not aiming to squeeze them out in favor of DVD revenue.
“Showing films in theaters is what makes a movie a movie. It’s what makes stars stars. It’s what makes films famous. It’s what makes the public perk up and pay attention,” said Michael Lynton, Sony chairman and chief executive officer, in the ShoWest keynote address Monday.
Theater owners and studio executives say they are open to flexibility on DVD release patterns for some movies if it benefits both sides. Cinemas always beg Hollywood to release big movies in typically slow months at theaters rather than bunching up top hits during the busy seasons.
“You always have the issue of lots of movies coming in the summer, lots of movies coming in the holiday period, and so our members have been talking to distributors about getting movies into late winter, such as ‘Alice,’ trying to get movies into September. Places where we typically don’t have great movies,” Fithian told reporters Tuesday.
But putting a potential blockbuster in theaters in September might mean shortening the time until the DVD release to three months or less so the film can be in stores for Christmas, which Fithian said theater owners are open to discussing.
The huge business Tim Burton and Johnny Depp’s “Alice in Wonderland” did over normally slow March weekends might ease theater owners’ worries. “Alice in Wonderland” shot past $200 million domestically and $400 million worldwide after just two weekends.
Studios need to experiment with release patterns for new technology without undermining big-screen business, Sony chief Lynton said.
“We do not want to open a new window in a way that closes yours,” Lynton told theater owners.
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Categories: Movie and Dining Reviews Tags: alice in wonderland, dvd releases, home video releases, ticket sales, time window


